Wednesday, 3 September 2014

Hull, Supporting Elton John - 19th July 2003

 The day was brilliant and the band/David sounded fab.

TRIP TO HULL
O.K. then folks are you ready, hope you don’t get too bored. Might take a while.
Great journey up to Hull, on route, masses of text messages and phone calls flying all over the place, yes we are all as excited as each other and everyone’s checking to see where each other is. The excitement is gradually building, to calm our nerves, we decided to play the entire Sneddon collection in the car, well you have to really!!

THE HOTEL/JOURNEY TO STADIUM
Arrive safely, on the way, see a helicopter coming in just over Hull, both myself and Leeza immediately say "hey that’s David" (we later find out it was). In hotel, Sue introduces herself, tells us about her journey up and we agree to walk to the ground together. Whilst it had been hot on the journey up, in Hull it seems to be boiling, and during the course of our 20 minute walk to the stadium, with Leeza directing us, it gets more and more stifling. We decide to upgrade our seats, to get a better view of David (well we’ll come back to that one).

It’s now 4.00p.m. and we have over an hour and a half to wait until David is on stage. We decide anyway to walk round to the back of the stadium, where there are security people and an access road, which we assume is the most likely route David will take into the stadium. It’s hot, we are all tired, but hey spirits are high!. After a bit of loitering with intent, a journalist/photographer approaches our group, and asks to do an interview with us, they first speak to Sue, and ask her name, age, etc and then "why are you here". Sue replies to "see David Sneddon". Journalist looks taken aback, and then says "what do you like about David Sneddon", well I’m mean ask a silly question folks! (but hey Sue you soon put him straight girl - love the headline too). We have a group photograph taken.

Shortly afterwards, John appears, near the back door, we all rush up, get autographs, he says David’s not arrived yet. I then put my pennyworth in and say that he must tell David how brilliant "Let You Go" is, that a lot of people on the site love it and also am amazed that David does not think it is good enough. John looks a bit startled and then says that he previously got confused when he spoke to Hazel- at CRC and that it is not called "Let You Go" but "Shadow" instead.  O.K. excitement over, but where’s David, we spend next half an hour or so, waiting for his car to arrive and when cars do arrive, which we think contains David they run into another stage door. Oh well, we had better get into our seats.

THE CONCERT
Arrive inside the stadium, find our seats about a third of the way on the pitch, with a good view of stage.
5.20p.m. David is announced, and starts the intro to a song which does not sound familiar, a few seconds in realise it’s "Follow Me". Stadium is not full and there appears to be empty spaces at the front, so we run up towards the stage and stand and stare. Just to say, David looks absolutely stunning, even better than on the telly and it’s lovely to be so close.

David starts "BOO", two girls are running up towards the stage, one turns round and I notice that this is David’s sister Pauline, the other one with long red hair is of course Eleanor. It is totally evident that as soon as David catches Eleanor’s eye, he has eyes for nobody else!

We notice there are a couple of empty seats in the third row from the front and sit down. People are cheering, and clapping and enjoying themselves. Suddenly a bloke appears near where we are sitting, taking photographs and shouting "We Love you David", the security people try to stop him taking photos and he protests that he is David’s Dad, we look round and yes it really is David’s Dad AH!  We all start jumping up and down and cheering and then realise the camera is on us (oops).  

David did a stonking version of "BOO" and was excellent, a very lively performance.
David’s also performs "Don’t Let Go", "Bluebird", Lazy" and O.K. and lastly "Stop Living the Lie".
A special mention to the absolute terrific version of "St. Pepper’s", what more could you ask! and shows his versatility off to a tee. 

Also a truly wonderful acoustic session, with John on guitar, of my favourite song on the album "Long Time Coming". The power, the range, the control of his voice was exceptional.
A truly wonderful concert, and David did us proud and, of course, converted some more people.

I will always remember  - talking to the man behind us, who was a staunch Elton John fan, he was very impressed with David and we all told him to buy "SYTW" (well Leeza - did really) The ladies behind us enquiring of Leeza who we were and all about David Sneddon. Gave us tremendous pride.

AFTER THE CONCERT   
We arrive in a heap at hotel, all hungry and tired, but full of talk of the wonderful concert. By the way, Elton John was pretty good, gutted we missed David coming down to the stage, we were getting refreshments.

We all watched clips of other’s video cameras, digital cameras and my memory is of myself, Leeza and Sue acting like a pair of schoolgirls watching the clip of "Long Time Coming" on the video camera.
Wonderful, it was too.

So that’s it, sorry if I left anything out or rambled on too long.
It was truly great to meet everybody, you all know who you are and made the day even more extra special!.
Question: How to have the perfect day.
Answer: Do all of the above!
A
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'I had a really good time out there. The show went really well. We've had some of the best feedback we've had all summer.' David

Chicago Rock Café gig, Northampton – 26th May 2003


'That gig was so special because of its intimacy and Mal, Nigel and Lemar being there. The venue was perfect for the numbers - you could get up really close and personal and we even managed some banter with David and the band.
I was no more than 6 feet from David, who was on a little raised circular stage area, and it seemed that all the people there were either fans or there to listen and appreciate the music.
After the gig he was so sweet - sat, taking time out, waiting to meet us all - he had a little word for each of us (I also got John's autograph and had a quick chat). I felt so close to David that night and so privileged to see him perform so wonderfully.
Happy memories.'  Mary

This was the first gig that fans were able to attend, and many did and said what a wonderful gig it was!
David and the band were on top form and performed a full set from David's album Seven Years Ten Weeks including -  Follow Me, Best Of Order, Time To Fall Down, Lazy,  Bluebird, Ok, Don't Let Go, Neverland, Long Time Coming, Stop Living The Lie plus two fab covers, Mustang Sally and Sgt Peppers.

Many reported excitedly how brilliant David has been, and how amazing his voice is live.  That there was a good amount of banter with the band and David was so relaxed, funny and down-to-earth.

Fans said that they loved the raw, live sound that the band did.  That they were fantastic and  it was amazing as they have only been together for such a short time.  They thought David's album seemed tame by comparison!

‘I am hoping that David will get to produce the next album by himself so that it keeps the  'live band' sound.....and leaves out the female backing singers!’
‘It was a night I will never forget.'

The Garage gig, Glasgow

That was on the Monday - I got the album on the Tuesday at the Safeways signing.

I logged on the David site on the Friday and up popped a competition to see David on the Monday at the Garage. It asked what was the third track on the new album - which was Stop Living the Lie, so I thought why not enter. That night I found out I'd won tickets - much to my surprise! I'd never entered anything like that before.

On the way in we heard David on Radio Clyde. He was a busy guy that day, in fact he played 7 gigs in 10 hours to match the album title.
I remember we waited ages in the rain and at one point David's parents walked past us to the head of the queue. Someone thought they were queue jumping, I said no, it is David's Mum and Dad. The woman in front of me was from Amsterdam and had been in Edinburgh with her husband on business. She was originally from Glasgow and was very excited to be able to see David. I should have worn a hat too because my hair was fairly frizzy by the time we got in! They had told us 5.30 for 6 but it wasn't until 6.30 that we got in.

The place was pretty dark inside. We rushed up the stairs and managed to secure a place in the second row. The band came out first and played a bit. There was mad hysteria when David eventually appeared. He was smiling away and looking a bit taken aback as he usually does!! I'd not heard the album yet and sitting at the piano David started with the rocky and fun Follow Me - that was a huge surprise after expecting only ballads.  The band and David performed six of David's songs from his debut album ' Seven Years Ten Weeks' which expressed the diversity and originality of his songs - the wonderful jazz influenced Lazy, the powerful Bluebird,  the stirring Don't let Go, and his number one hit Stop Living The Lie.  

David started at the piano but as the stage was not raised it was hard to see him.
I remember he stood up to sing the rocky Best of Order and also how he looked getting the gold disc for his album sales!! He was so chuffed.

Little did I realise the impact of this gig, making me the dedicated fan I've been the last few years,...... patiently (?) waiting for the next album!  The following day I met David at his Safeways signing and what a lovely guy he is.


Monday, 1 September 2014

Fame Academy Concert - 20th April 2003

Performing at the Glasgow SECC was a big thrill for David, having been there as teenager to see the likes of Travis and Wet Wet Wet.

We went to the Fame Academy concert at the SECC, and were only two rows from the front. The show started  with the foot-stomping show opener, Robbie William's , Let Me Entertain You.  It seemed a long wait before David was back on, just after the interval, when he sang Elton's classic, I Guess That’s Why They Call it the Blues, with Sinead, the lovely Irish lass who was the runner up on the show.  Then we had to wait again for David’s set.

David started with his moving and vote winning performance of ' Don’t Let the Sun Go Down On Me' which is the best cover I have heard of Elton's classic. 

Then David moved to the piano to perform his own song 'Stop Living The Lie' the heartfelt ballad that took him to the top of the charts for two weeks in January 2003.  This song brought back many good memories from the Tv show, and it was wonderful to hear this very special song 'live' with David's expressive vocals.
David is the only artist from a reality Tv show to have a hit with his own song.  

Next he sang his second hit single, Don’t let Go. This song is a favourite of many, clearly showing the expressive range of his voice  and he sings it perfectly.  It has a striking piano riff, a dramatic song about not letting go of your dreams.  The  Gulf war was on at the time, and sitting at the top of the tall steps, he sang  Lennon’s song of hope ‘Imagine’.  David cites the Beatles as his biggest musical influence, and he gave this song passion and depth. 

It was clear to see why David shone, he has that extra stage presence that’s so hard to define.  His expressive vocals thrill with stirring high notes and sexy lows.  By far the highlight of the show, and I'm certain for many, David was the reason the show was such a success.  As for David's charisma - you need to go see him live!!

It was the best to see and hear David and to see that he is even better live. What a magical night.!!

 The Fame Academy tour was the most successful reality TV tour to date.

The FA Tour was a 12-date tour around the UK  -
20/04/03 FA Tour - Glasgow
19/04/03 FA Tour - Sheffield
17/04/03 FA Tour - Newcastle
16/04/03 FA Tour - Wembley
15/04/03 FA Tour - Wembley
13/04/03 FA Tour - Nottingham
12/04/03 FA Tour - Birmingham
11/04/03 FA Tour - Manchester
10/04/03 FA Tour - Cardiff
07/04/03 FA Tour - Dublin
05/04/03 FA Tour - Belfast
04/04/03 FA Tour - Glasgow
03/04/03 FA Tour - Aberdeen


Monday, 30 June 2014

David won Fame Academy


There are many things I might write about this show, I could write a book! It seemed quite a mundane show until David entered - with his fun and clear passion for music. It was one of the first of the reality tv shows in the UK in 2002 and we had already seen Pop Stars and one Pop Idol show (the forerunner to the X Factor) that Will Young had won. There were mixed results with the shows formats and they were about Saturday night television mostly. While there was songwriting during the week it was not shown on the live showdowns on the Friday nights. The Fame show was the BBC's answer to the success of Pop Idol on itv and was part Big Brother and part talent show contest and the format had already been run in France. The 12 students were coached by music and dance teachers in a large London house. It's premise was about a live Friday night show at Shepperton where 3 students would sing for survival. Then after the phone in vote and the teachers comments - the other students voted on their choice.
David Sneddon won the BBC first ever Fame Academy show with over 3m votes in December 2002. David was not originally selected to enter the Fame Academy House (Witanhurst House Highgate London) following the first show in October, but made it in as a replacement when one of the original winners was forced to withdraw. David became popular on the show and went on to win over the public vote and was voted the overall winner, by which time he had been promised a recording contract with Mercury Records. 

David won the finals of the show winning the voters attention for his wonderful versions of " Don't Let The Sun Go Down On Me" by Elton John and “ I Don't Want to Talk About It" by Danny Whitten, and his own composition "Stop Living The Lie".  His covers of Elton and the Beatles songs are he best I have heard.

 

DISCOGRAPHY

As part of his prize for winning BBCs Fame Academy, David was signed by Mercury Records in December 2002. His first single, 'Stop Living The Lie' went straight to No.1 in the singles charts on it's release in January 2003, and was followed by second single ballad 'Don't Let Go' released in April which made No. 3. His third single, the rocky 'Best Of Order' made No.19 in the charts in August. In October David released his fourth single 'Baby Get Higher' which reached No. 39 in the charts. This song has subsequently achieved chart success for Belle Lawrence and Dutch artist Van Velsen. 'Stop Living The Lie' was in the top 40 for nine weeks. To date David is the only artist from a reality TV show to have a Number One hit single and a number 5 Album with his own self-written songs.
ALBUM - 'SEVEN YEARS - TEN WEEKS'
Released 28th April 2003 - #5 UK Album CHARTS. David's debut album was released in April 2003 and entered the UK album chart at #5. It shipped Gold in the UK. The day of the album release SLTL was No. 36 and DLG No. 3.
SEVEN YEARS TEN WEEKS title refers to the 10 weeks on the Tv show and David's 7 years of pursuing his dream of working in the music business. All the songs are written by David (with the exception of John Keilty's 'Long Time Coming' ) and tells of his looking for direction in life. Four songs are co-written with Scottish pal John. It was produced by respected producer Hugh Padgham, and recorded with Elton John's band. The Album received good reviews. There was a Scottish album launch, for the release on 27th April, when David did 7 gigs in 10 hours all over Scotland.
 
'SEVEN YEARS - TEN WEEKS'
Best Of Order
Time To Fall Down
Stop Living The Lie
All My Life
Follow Me
Don't Let Go
The Bluebird
Lazy
OK
Without You
Neverland
Long Time Coming
I Love You
Stop Living The Lie Video
Don't Let Go Video
Seven years Ten Weeks Players
David Sneddon – Vocals and piano.
Davey Johnston – guitar.
Chris Leonard – guitar.
Boz Boorer – guitar.
John Kielty – acoustic guitar.
Dominic Miller – guitar and mandolin.
Robert Birch – bass guitar.
Jamie Mein – bass guitar
Gay Babylon – Keyboards
Paul Wickens – Keyboards
Nigel Ollsen – Drums
John E. Mahon - Percussion
Aaron Fagan – Percussion
Paul Wickens – Percussion

Friday, 6 June 2014

DAVID REVIEWS

Reviews Jazz Bar Edinburgh 2007
‘His set is far too short, and he has something new in his sincere songs. He is in a different league to most singer songwriters, who don’t touch me in my heart that way.’ Singer

David Sneddon in his alter ego is the lead singer of an upbeat band called The Martians. Much of his time, however, is spent performing acoustically in clubs. In this world premiere performance he was ably accompanied on acoustic guitar by fellow Martian, John Kielty.
(Kielty is currently working on Sundowe, a musical about Zombies commissioned by impresario, Cameron Macintosh and due for performance at Eden Court in Inverness this November.)
David on stage is very much a fresh-faced, cheeky chappy until he gets behind his piano and then the serious performer takes over. He puts his heart and soul into his music. He played all his own songs, seven in all: the rather poignant, One old soul; the autobiographical Time; Lady Lullaby; Insomnia; Wish you well - my personal favourite; 'White noise', the title track from his current album and finally, by audience request, Stop living the lie.
Sneddon is strong on the piano and is undoubtedly a good singer. His delivery is honest and unaffected which allows the audience, not only to enjoy the natural qualities of his voice, but also to focus on his lyrics which are at some times touching whilst at others provoking and edgy. They are always thoughtful and intelligent. He comes across very much as a person who does not take himself too seriously but as someone who has given total commitment to his music. He clearly enjoys performing.
The audience last night was quick to pick up on this and an immediate rapport was established. As he said, music has been good to him. By forsaking the bubblegum world of pop offered to him through his success in 'Fame Academy' and allowing his depth to show, David Sneddon has in turn been good for music. © 25 August 2007. www.EdinburghGuide.com

Fans were buzzing after David’s sold out gigs at the festival.

The audience was of every age range and responded enthusiastically. Some fans had travelled many miles to hear David perform.
He writes songs with sincere quality. David not only has something new to say, but a distinctive sound and voice - with strong dynamic piano playing and clear emotionally passionate vocals and melodies that reach into your heart. His lyrics are deeply touching, and his songs like folk songs conjure vivid images..

'WHITE NOISE' EP REVIEWS -
This Week's UK indiestore.com Picks: WHITE NOISE DAVID SNEDDON
"... he's a considerable talent who deserves a fairer hearing. With his rich Scots burr much in evidence, this is that fair hearing. Listen up." 17th Jan 2007 Indie Store

Offers a timeless authentic sound. David's music portrays wide-ranging moods with his pure sensual vocals in strong contrast to his hard hitting ‘positive notes’ piano. His voice is one moment melancholy and then tender, evocative and then forceful, led by his strong dynamic piano playing. It brings a subtle blend of sensitive melody and rhythmic moods. David has gone for the acoustic impact of a ‘one live take.’
All five tracks are stand outs, in particular the optimistic love song White Noise, and the energetic moving melody of 'One Old Soul'. Also includes the heartfelt piano track Wish You Well, the joyous Time, the sexy soothing romantic Lady Lullaby. Engaging and absorbing.

'I think your music is wonderful, and you're such a genuine kind of a singer...your own style, and a wonderful hint of a brogue that just adds to the flavour. So good to hear something that hasn't been chopped up and processed to blandness these days! Keep it up!' Opera singer Patricia Hammond

The strengths of David’s set are the quality of the songs and that magic something in David’s voice. He is performing on energetic, accomplished set.

''smells of booze and cheap cologne, well, i know that could easily be me but i took my way out, time, always take your time, don't waste your time' 'you lay yourself right out there in your songs. and then you double it by singing with the same quality. this is a great tune. sincerity is your trademark. perhaps that is the essence why i like your music .' Janice Kephart writer and music fan

i'm hugely impressed..blown away by all three songs, in fact further evidence that all pop music should be sung with a glaswegian accent, your voice sounds flat-out fantastic "the window asks the morning in" is a great lyric, to be sure, i loved "one old soul" so much i was immediately compelled to grab my guitar and figure out the chord progression. while certainly the lyrics and melody are all your own, the song's style most favorably reminds me of tahiti 80 and travis and radiohead's "creep." Butch Young musician

A few comments - wooah! i love your music!! its so great!! keep it real david!! Wow! What a lovely voice! Great songs! Love them! !! Keep Up The Good Work Young Man.Fab Voice !! Wow, he's amazing. Thanks for introducing me to his music. !! David you are the most inspirational singer songwriter that has ever emerged from the reality TV genre. You have the most touching lyrics and almost heaven like face that a person would ask for. Love ya! I am fascinated by how smiley and happy and upbeat he is, and then when he sings all the real emotion comes out and it's just such an amazing contrast. I love Davids voice, it pitches at a very emotional level for me.
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GIG REVIEWS 2006
HIGHBARN- It was standing room only at High Barn in Great Bardfield as David Sneddon. ..played a 90-minute "This is an amazing venue.. I would rather play here than Wembley. " The performance was stripped down with only two musicians on stage: Sound engineer - "The crowd loved him. He's a very talented performer and he played a great set that obviously went down well with the audience."Dunmow 16/12/06

ORAN MOR - 'The Scots Fame Academy winner proved his talent with this acoustic show. Accompanied on guitar by John Kielty - his co-songwriter when he was in The Martians - David belted through original songs from his almost-completed album. The highlight was beautiful ballad 'Insomnia'. The only reference to his past chart success was a version of his No 1 hit Stop Living The Lie mixed with Del Amitris Nothing Ever Happens. (5 stars)
REVIEW SUNDAY MAIL 30/07
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REVIEWS seven Years Ten Weeks


It's a brilliant album, crammed full of mature, guitar-led pop, rock and swooning ballads. My Music, 'This is a one man band, a talent hotspot capable of far more than perhaps the record company executives are naturally comfortable with.'

'This debut outing is, surprisingly, a top effort. When David's not trying to sound like old Take That stars, there are actually some moments of genius here. The exquisite Lazy is an absolute corker and has classic written all over it and David's second single Don't Let Go is a bit of a belter too..' YAHOO

Sneddon is a performer with honesty, integrity and a fair degree of soul... with infectious piano melodies and an attractively low-key falsetto. Review by Andrew Lynch. Entertainment.com

David's debut album engrosses with stirring emotions and heartfelt lyrics, and takes you on a journey of inspired escapism. If you enjoy heartfelt and personally absorbing songs, this album will take you on a young man's emotional journey with the intense passion and range in his voice, from soothing lower tones to inspiring high notes.
The Albums title refers to the 10 weeks on the show. It starts with the rocky opener Best of Order, followed by the soaring Time to Fall Down, and includes both rocky tracks like, Follow Me, and personal ballads such as the Celtic Without You. There are shades of Bon Jovi, the Beatles, Elton in here - producer Steve Lillywhite thought it would work well to have David on piano and Elton's bands backing him. At times the bass is too heavy and rather overshadows David's vocals. Apart from this the album is a very heart-warming collection of songs that take you from busking, All My Life, to the trials on the show, OK, to hope for the future with John Kielty's Long Time Coming. There is also the jazz influenced and relaxing Lazy. It includes David’s two chart topping singles, Stop Living The Lie, and, Dont let Go, both recorded for the album with a rockier and more authentic feel to them. The album made number 5 in the Album charts, and David recorded all his own material, when many pop stars perform covers or co-writes. Highly recommended.

*Seven Years Ten Weeks - Album Review
This debut album tells an autobiographical tale of David’s journey – from playing with bands in smoky local clubs to the challenges of being on the TV show, and finishing with the slow burner Long Time Coming, which showcases David’s wide ranging and expressive vocals. Songs such as ‘Time To Fall Down’, ‘All my Life’ and ‘OK’ tell of the hardships of rejections, the vulnerability and having your hopes and dreams squashed yet again. There are the moving love songs ‘Without You’ and ‘Don’t Let Go.’ You can feel all David’s youthful longing to make something of his life and to be creative. Many of the lyrics are moving and memorable showing his strong ability to empathize and understand and to create clear poignant moments in song. His number one hit ‘Stop Living The Lie’ was the first song we heard from David on the tv show and led on to his winning the show. ‘She died long ago deep down inside, who is going to save her.’ A personal favourite of mine, ‘All my Life’ grips with strong imagery and honesty. ‘Get on your feet and play on and I don’t want to be left here all my life.’ The album starts with the upbeat ‘Best Of Order’ – the compare used to say this about David when he was performing at one of the clubs. I wasn’t sure about this song at first but grew to adore the vocals and feel of it. ’Once upon a time not so long ago, this boy he took to the stage.’ Bluebird; a song that is a step on with the abstract concepts behind it.
While Elton’s band with their 80s style rock doesn’t quite work for me with David’s musical voice and some of the songs lack a coherent overall style - yet when David’s voice does shine through on his hits Stop Living The Lie, Don’t Let Go and Without You it feels like a inspired new talent. David’s piano playing is dynamic and works well with his singing voice. His vocals have an emotional edge that hits the heart with a sensitive sincerity and pathos. This isn’t a perfect album – but it’s one you can get immersed in and that tells an honest story.
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David Sneddon is the latest pop star to be thrown up by a reality TV show (in this case, Fame Academy), which for some people will be more than enough reason to hate him instantly. That, however, would be unfair for while he's no Bob Dylan, Sneddon is at least a performer with honesty, integrity and a fair degree of soul. Perhaps it's because, as the title suggests, he's spent the last seven years hauling himself and his guitar around the club circuit - many of these self-penned songs are about his struggles along the way, trying to attract the interest of drunken punters and failing more often than not. His underdog image proves to be quite endearing - and he also shows himself to be a songwriter of some promise, redeeming his pub-rock arrangements with infectious piano melodies and an attractively low-key falsetto. His album is no masterpiece, But compared to the likes of Six, David Sneddon is surely entitled to at least a bit of respect. Review by Andrew Lynch. Entertainment.com
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April 2003 sees the release the much anticipated debut album from 'Fame Academy' winner David Sneddon. Entitled 'Seven Days - Ten Weeks', the album was written entirely by David himself and is the product of seven years of song-writing coupled with ten weeks of reality television. To make the album David has enlisted the help of one his biggest musical heroes, Elton John. Also on board was Hugh Padgham (Sting, David Bowie, Genesis), one of the most successful producers in contemporary Britishpop. His input has enhanced the definite and unpredictable rock sound David has created for the album. 'Seven Days - Ten Weeks' showcases David's true talent to the full and is a mixture of guitar-led, up tempo tracks and classic ballads. The album also includes a new version of David's No.1 hit 'Stop Living The Lie', the second biggest selling single of the year so far, and the new single, the filmic ballad 'Don't Let Go'. HMV
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David Sneddon's assured debut album immediately does it's best to distance itself from its Fame Academy origins and establish David as a serious artist. Poor David has a terrible time with ignorant journalists misunderstanding his talent and what Fame Academy was about, and everywhere from the cutting song lyrics to the album sleeve dedication is David's frustration over this made clear. This is a strong album which has some haunting tracks like 'Lazy' that evoke late 90s indie, to early Robbie efforts like 'OK', though David needs no Guy Chambers pulling the strings from behind the scenes. This is a one man band, a talent hotspot capable of far more than perhaps the record company executives are naturally comfortable with. There's plenty of surprises here, with the anthemic 'Best of Order' launching the album and a version of 'Stop Living The Lie' that's fantastically overly produced compared with the single version we know and love. 'Seven Years - Ten Weeks' is a quiet, confident and assured package that should ensure David continues to prove his critics wrong and establish his presence as a major talent in the music industry. 4 out of a possible 5
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.. Seven Years - Ten Weeks is something of a revelation. , this debut outing is, surprisingly, a top effort. When David's not trying to sound like old Take That stars, there are actually some moments of genius here. The exquisite Lazy is an absolute corker and has classic written all over it and David's second single Don't Let Go is a bit of a belter too..Snedders has presented us with a well-produced, admittedly old-fashioned album of songs that are sure to be classics. Perhaps Robbie should have a listen to this to see where he went wrong on the disappointing Escapology. YAHOO
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The easiest job in the world is to knock plucky reality television talent show contestants. Unlike previous success stories from the reality hothouse, this hasn't been whipped up by a gaggle of writers and musicians, then spoon-fed to the performer, this is all Sneddon's own work. The most prolific songwriter from the Academy has written all but one of this promising 12-track collection.
It all kicks off imaginatively with Best Of Order. ..The heartfelt, mid-range ballad is Sneddon's natural terrain, with a clutch of other examples like the Celtic-tinged Without You showing off his silky piano skills and the pleasant upper range of his vocals. The Glasgow lad shows considerable depth and maturity beyond his years..,. He shows signs of joining a long tradition of popular singer-songwriters capable of lasting the course. BBC
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David Sneddon BIO

David BIO



 DAVID SNEDDON is a Scottish singer, songwriter, musician and music producer. He took an unusual route into the music business via performing on stage and television and he sang lead roles in musicals in Glasgow. He went on in 2002 to win the first series of the BBC's music competition "Fame Academy." He released his single 'Stop Living The Lie' which was a number one hit single selling over 250,000 copies, making it the 12th highest selling single of the year. Sneddon's debut album "Seven Years -Ten Weeks", released April 2003, reached No.5 UK Albums Chart. He had three further UK hit singles - "Don’t Let Go" No.3, "Best Of Order" No.19 and "Baby Get Higher" No.39.  His song "Baby Get Higher" was a hit on the dance floor for Almighty Records and a chart hit for Van Velzen and for Emin Agalarov. In October 2003 he moved from being a popstar to working as a songwriter. Sneddon signed to major music publisher Sony/ATV Music Publishing as a songwriter in 2009 and he describes his music as melody driven pop. He is one of the more successful graduates from a reality tv show and has built a long career in music. 

David Sneddon’s Songs – Nate James (“The Message”), VanVelzen (“Baby Get Higher”) Hurts ("Illuminated", "Blood, Tears and Gold", "Silver Lining"). Matt Cardle (“Slowly”, “Letters”),  Lana Del Rey ("National Anthem") Newton Faulkner ("Pick Up Your Broken Heart") Charlie Brown ("Dependency"). Greyson Chance ("Sunshine City Lights"), David Archuleta ("Don’t Run Away").  
He works with producer James Bauer-Mein as "The Nexus" songwriting and music production partnership for high profile and highly-anticipated emerging artists in the US and the UK. They have written for - synthpop duo Hurts 2010 global multi platinum debut album Happiness – “Illuminated”, "Silver Lining" and "Blood, Tears & Gold.” The single "National Anthem" for Lana Del Rey's number one selling debut album "Born To Die" 2012. The video has received 19 million on YouTube. "National Anthem” also appeared on Del Rey’s international multi platinum hit album “Paradisewhich has had record sales of over 4 million and made No.1 in eleven countries. Newton Faulkner's "Write It On Your Skin" contained Nexus songs -"Pick Up Your Broken Heart", "Soon" and "Feel" - made No.1  UK Album Charts. Shane Filan, formerly lead singer with Westlife released his first solo EP Everything To Me in August 2013 which included 2 songs co-written with David Sneddon and James Bauer-Mein (The Nexus) - Everytime and Today's Not Yesterday. They have built a strong reputation as songwriters have worked and released with artists such as Lana Del Rey, Hurts, Newton Faulkner, Morten Harket, Will Young, Nicole Scherzinger, Olly Murs, Pixie Lott and Kristina Train. In April 2013 The Nexus became part of 365 Artists.
 http://www.365artists.com/producers/the-nexus.php 

David Sneddon grew up in Paisley Scotland with mother Anne, father David Snr and younger sister Pauline. David studied music at school, won several talent competitions and played lead roles in musicals both at school and at PACE Youth drama.  When his parents bought him a piano he taught himself to play and discovered he enjoyed writing songs. Sneddon was inspired by his father’s record collection of The Beatles, Frank Sinatra, Van Morrison and in particular Elton John -  "The person who has inspired me the most is Elton John. I love the Beatles, but as I was growing up, I always wanted to play the piano like him. I've never had any lessons, so he has been my only teacher.".........?"  David enjoyed performing in musicals from a young age. At Primary school a teacher suggested a Youth drama group called PACE and it proved one of the best experiences for David and gave him confidence to perform. He attended PACE for twelve years from the age of eight.  
After attending the University of Paisley for a year, where he met Danny Dyer, with whom he forged a close personal relationship, Sneddon decided to pursue a career in music. He performed in musicals and sang with bands in Scotland for several years, while he continued working on his songwriting and sending off demos. He was offered a role in a musical in London, and a part in a young boyband called Arena. He presented 'Inside Out' a children's show on Scottish TV.  

While acting in Romeo and Juliet he met John Kielty - David was Romeo and John was acting Juliet's father. The Martians busked and did shows during the Edinburgh Festival. Sneddon was performing with The Martians in 2002 when he decided to enter the BBC's first series of Fame Academy.  After David won the show he brought John down to London to co-write his debut album and go on tour with him. Sneddon also played in the indie-rock band The Sham with John Kielty in 2004 and 2005.  Since then The Martians won the Highland Quest for a new musical in 2006 - The Sundowe was produced by Cameron Mackintosh and toured the Scottish Highlands in early 2007.


MUSIC CAREER
Sneddon became known when he won the BBC's first series of a reality tv music competition called Fame Academy in December 2002. He was not selected for the first show, but was drafted in as a replacement when one contestant withdrew from the TV show due to illness. Sneddon, with his high tenor voice and easy going, personable charm, went on to become a favourite with both the audience and his fellow contestants. He won the final of the show winning the voters attention for his memorable versions of "Don't Let The Sun Go Down On Me" by Elton John, “ I Don't Want to Talk About It" by Danny Whitten, and his own composition "Stop Living The Lie" and won the public vote with over 3 million votes(3.5 million of the 6 million public votes cast). He was the TV show’s most prolific songwriter, writing at least one song a week. He was voted as the most inspirational and original writer by fellow students. Sneddon is a naturally gifted musician, and one of the most musically gifted contestants to appear on a TV talent search. On the sell out Fame Academy tour in April 2003, David was thrilled to sing live at Glasgow's SECC venue.
He made the final stages in London after auditioning in Glasgow, but was not selected for one of the final eleven places. On the first show he came second to Sinéad Quinn in a public vote for the last remaining place. However when another contestant Naomi Roper pulled out due to illness, he was offered her place and entered the program two weeks late. Playing a game of catch up David went on to win over the public vote on the TV show each week. After performing one of his own songs at the piano "Stop living The Lie" he was made the grade A student that week, and made it through to the final show.
David signed a Record contract with Mercury Records and was given a luxury penthouse, Audi car and more as part of his prize. He shot his music video for his first single at Abbey Road Studios. His first single "Stop Living The Lie", was No.1 in the UK Singles Chart for two weeks in January 2003, and in the UK Top 40 for a full nine weeks. David is the only artist from a reality TV show to have a number one hit single with his own composition, without working with any co-writers. He also had three further UK Singles Chart hits with his own compositions - "Don’t Let Go" No.3, "Best Of Order" No.19 and "Baby Get Higher" No.39. "Baby Get Higher" has since been a success hit on the dance floor for Almighty Records and a singles chart hit for Dutch singer Van Velzen.
"Seven Years - Ten Weeks" Sneddon's album, was released in April 2003, four months after he won the show, and entered the UK album chart at No.5. The album contains all original compostions written by Sneddon, two co-writes with Scott MacAlister and four songs co-written with Martians member John Kielty.  David wrote songs about his seven years after leaving university when he worked with bands, and on stage - and about his ten weeks singing live on the BBC TV show. It contains his three chart singles "Stop Living The Lie", "Don't Let Go" and "Best of Order". The album was produced by Hugh Padgham who produced Phil Collins and Peter Gabriel in the 80s, and was recorded with Elton John's band. There was a Scottish album launch for the release on April 27 when David performed 7 gigs in 10 hours all over Scotland.
Throughout 2003 David and his band played a University tour, the Box Live and Summer XS tours, headlined at the 'Pop on the Rock' music festival in the Channel Islands, and supported Bryan Adams in Bristol and Elton John in Hull. David also performed on TV many times, including the BBCs famous chart music program Top of the Pops. David was also a guest presenter on The Saturday Show (BBC TV series) and the BBC Scotland Children in Need Appeal, and he took part in Avid Merrion's comedy show 'Bo Selecta' on Channel 4. Sneddon signed an exclusive Publishing deal as a singwriter with Universal Music Group in October 2003. David's main interest has always been his songwriting, he said, "I've loved all the music side of it, it's everything I hoped it would be - the recording, the studio, writing, but the other stuff..........?"

Acoustic Songs
In 2004, David was songwriting in London, when he formed an indie-rock band The Sham with John Kielty in 2004 and 2005. They played a number of gigs in London, Scotland and the North of England, and headlined at the Hogmanay Celebrations in Aberdeen. The Sham included Ed Carlile(drums),Si Jones(guitar), Jake Gosling(keys), John Kielty(guitar) & Jay Mein(bass). In 2006 David started writing for a new solo album. In July he showcased his new songs in a series of intimate, acoustic gigs with John Kielty in London, Essex and Scotland. "It’s not what people are expecting, I’m trying something a bit different. The feedback, from people who know me from the show, on the new songs has been incredible." FPR Radio Interview Oct 2006. 
He released a 5-track EP called "White Noise" in January 2007, his first recorded work for several years. The 'White Noise’ EP topped the Indie charts for 3 months, remained at No 1 for over a month, and then at No 3 for another month. It was recorded in 'one live acoustic take' and has melody-driven piano songs. TRACKS: White Noise, Time, Lady Lullaby, One Old Soul and Wish You Well. Sneddon played acoustic gigs across England and Scotland in 2007, with backing guitarist David Mullins. He also presented a radio sports show called 'Keep Off the Grass' on BBC Radio Scotland in June 2007. In August 2007 he performed three sold out gigs at the Jazz Bar Edinburgh Festival to good reviews. In 2008 David continued with his writing work and played gigs in London. He describes his music as 'melody driven'. Sneddon's top selling No 1 EP "White Noise" returned to the top of the Indie store charts Jan 2007 (a year after it was released in January 2007) and at no. 1 in August, Sept, Nov 2008 and March 2009.
SONGWRITING:  David Sneddon's musical journey and songwriting successes have drawn from his influences from the songs of Elton John, The Beatles, Paul Simon, Dylan and Coldplay. David had written for some top talent in recent years.  In October 2003 Sneddon's song "Baby Get Higher" had reached No.39 in the UK Singles Chart and the song achieved further chart successes in November 2003 when the dance label Almighty Records produced an exclusive promo remix which was a dance hit. The label then recorded a version featuring Belle Lawrence, which was included on several dance compilation albums. In November 2006, the song was also a singles chart hit for Dutch singer VanVelzen. In 2005 Sneddon wrote the international hit "The Message" for UK Soul singer Nate James which was released as a single in the UK, and was on James's debut album, ''Set The Tone''. It charted in Italy and Japan in 2006.  

In 2009 he signed a new deal with major Music publisher (popular music) Sony/ATV Music Publishing and will be writing for labels Decca Records, Universal Music Group and Syco, which is Simon Cowell’s label. Quote from David in Paisley Daily Express, “This deal has been in the pipeline for a year…we wanted to wait for the right deal. I don’t think there has been another reality TV winner who took a back step to this side of the industry but I like being able to get on with my work. We had to prove ourselves...and so that’s why we did a lot of development work."

In 2008 and 2009 David decided to focus exclusively on his song writing career, while he also performed a few occasional gigs in London over this time. Sneddon signed in 2009 with new management Three Six Zero Group and to Sony/ATV Music Publishing in July 2009, as a songwriter. 

The Nexus
Since 2003 Sneddon has worked with James Bauer-Mein in a London recording studio discovering, producing and writing with new talent. Sneddon and Mein (The Nexus) have written songs for other artists such as Hurts, Morten Harket of Ah-ha, X Factor winner Matt Cardle and number one selling American singer Lana Del Rey. Sneddon writes with producer and guitarist James Bauer-Mein as "The Nexus" songwriting and music production partnership for both high profile and highly-anticipated emerging artists in both the US and the UK. They have been building a strong reputation as songwriters the past years. Mein worked with Sneddon when he toured and recorded his debut album in 2003 and he has been writing with him for the past ten years. In 2009 they decided to call themselves “ The Nexus”.

They wrote songs for the synthpop duo Hurts 2010 global multi platinum debut album Happiness – “Illuminated”, "Silver Lining" and "Blood, Tears & Gold.”  Radio One DJ Zane Lowe gave the song 'Blood Tears & Gold' its premier in January 2010 as his "Hottest Record in the World" and two of the tracks would go on to become singles for Hurts in 2011. Hurt's Happiness reached the Top 10 in 12 European countries, and has sold over one million copies worldwide. The band has also sold more than one million singles worldwide. Sneddon and Mein (The Nexus) have written "Letters" and "Slowly" (co-written with Cardle and Eg White) for X Factor winner Matt Cardle’s album Letters which was released in October 2011 and charted at No. 2 on the UK Albums Chart. In 2011, he became engaged to his long-term girlfriend, who works in television in London. In April 2012 The Nexus was listed as the writers for the song "Keep the Sun Away" for Morten Harket, best known as the singer of the Norwegian synthpop/rock band A-ha, solo album "Out of My Hands”.  In 2012 Emin Agalarov released "Baby Get Higher" as the first release from his album "After the Thunder" and the song received BBC Radio 2 A List airplay.  
The song "National Anthem" was co-written with The Nexus for Lana Del Rey's debut album "Born To Die" which was released in January 2012 and reached No.1 in the UK Albums Chart and became one the fastest-selling albums of the year, selling 116,745 copies the biggest first-week sales of 2012. They also co-wrote the song "Driving in Cars With Boys" with Del Rey. The Nexus song "National Anthem” was confirmed in May 2012 as Del Rey’s single from her album and was released on July, 2012. The music video for the song premiered June 27 2012 and depicted Del Rey as Jacqueline Onassis and A$AP Rocky as John F Kennedy. Del Rey said the video was "definitely the most beautiful thing" she had done and the video had received 19 million views on YouTube.   

The single "National Anthem” appeared on Del Rey’s international multi platinum hit album Paradise which has had record sales of over 4 million and made  No.1 in eleven countries. Newton Faulkner's third studio album "Write It On Your Skin" contained two Nexus songs -"Pick Up Your Broken Heart" and "Soon" - was released in July 2012 and reached No.1  UK Album Charts. In 2012 as well as developing their own artists, Sneddon and Mein have written with Greyson Chance, Eliza Doolittle and Dionne Bromfield..
David Sneddon’s Songs – Nate James (“The Message”), VanVelzen (“Baby Get Higher”) Hurts ("Illuminated", "Blood, Tears and Gold", "Silver Lining"). Matt Cardle (“Slowly”, “Letters”),  Lana Del Rey {"National Anthem") Newton Faulkner ("Pick Up Your Broken Heart") Charlie Brown ("Dependency"). Greyson Chance ("Sunshine City Lights"), David Archuleta ("Don’t Run Away").
2013 Nexus song releases. Charlie Brown’s single “Dependency” released December 2012 and produced by Mushtaq and co-written with David Sneddon with a mix by the mighty Sticky. The track features street star Yungen and vocalist Mrs D known for her part on Wiley’s recent No.1, Heatwave. Brown's album "Dreamstate" is due for release in 2013. American pop singer Greyson Chance single “Sunshine and City Lights” released in November 2012 on his “Truth Be Told Part 1” EP was co-written with The Nexus during a late session. The Nexus produced American Idol finalist and runner up David Archuleta's single “Don’t Run Away” on 12th February 2013. Shane Filan, formerly lead singer with Westlife released his first solo EP Everything To Me in August 2013 which included 2 songs co-written with David Sneddon and James Bauer-Mein (The Nexus) - Everytime and Today's Not Yesterday. Shane released his solo album You and Me in November 2013 which also contained the Nexus songs and he is doing a UK Tour next year.

In April 2013 The Nexus became part of 365 Artists. The Nexus have worked and released with artists such as Newton Faulkner, Morten Harket, Will Young, Nicole Scherzinger, Olly Murs, Pixie Lott and Kristina Train